Dancers use leotards and pirouettes all the time but in Collide Theatrical Dance Company's "Mary Shelley's Frankenstein," Renee Guittar will have something you don't often see: kneepads. "I'm wanting ...
As it turns out, Akram Khan’s latest big commission from English National Ballet was already doomed by the weight of its own bombast. What started out as an interesting idea, introducing elements of ...
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